HOME SWEET HOME
Issue: 182 | Duration: 9:57
A house uproots herself and goes on an adventure.
Credits:
Director: Pierre Clenet, Alejandro Diaz, Romain Mazenet, Stéphane Paccolat
Production Company: Supinfocom Arles
Producer: Isabelle Aubin
Software:
Hardware:
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Samsung, King of TV City
Issue: 182 | Duration: 1:30
The team utilized MPC’s proprietary crowd replication software. The T-Rex was sculpted in 3D and the compositing team added debris and saliva. The space-age assault is a combination of CG and live action, with concept artists designing the mothership (matte painting) and UFO crafts (CG).
Credits:
Director: Adam Berg
Production Company: Stink
Agency: CHI & Partners
Production Company: Stink
Executive Creative Director: Jonathan Burley
Art Director: Alexei Berwitz
Copywriter: Rob Webster
Planners: Anthony Cox, Oli Egan
Agency Producer: Alex Nicholson
Account Handlers: Christian Hinchcliffe, Ana Saffer
Media Agency: Starcom
Media Planner: Erica Chen
Production Company Executive Producer: Ben Croker
DoP: Mattias Montero
Audio Post Production: Jungle Studios
Editor: Paul Hardcastle at Trim
VFX: MPC
VFX Producer: Chris Allen
VFX Supervisor: Franck Lambertz
CG Supervisor: Christopher Antoniou
Sequence Supervisor: Mark Gregory
VFX Team: Tom Carrick, David Picarda, Brice Lehmann, Yousuke Matsuno, Bevis Jones, Oliver Caiden, Daniel Cowley, David Singer, Jama Djurabaev, Levente Peterffy, Adam Leary, Melanie Keyzor, Jan Sladecko, Vicky Osborn, Liam Griffin, Jacob Fradkin, Grae Revell, Anbarasu Elangovan, Dheeraj Hebbar, Jacob Oommen, Sathya Narayanan, Sumesh Chammancheri, Gayatri Dhangar, Rajinikanth R, Sugumar S, Vishal Kaushal, David Bryan, Sean Ray, Mark Robinson, Emanuele Pescatori, Michael Diprose, Ciaran Devine, Alex Galan, Steph Karim
Grade: MPC
Colourist: Mark Gethin
Software: Pixologic ZBrush; Autodesk Maya, mental ray, Flame; Pixelux DMM; The Foundry Nuke, MARI; Flare; FilmLight Baselight
Hardware: Autodesk Hardware; HP workstation; NVIDIA; GFX; FilmLight Technologies
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THE CREW
Issue: 182 | Duration: 3:09
“The Crew” is a MMO car game from Ivory Tower and Ubisoft. This trailer mixes the crafty car manufacturer and hefty action scene genres. Emphasis is placed on featuring the novelty of multiplayer interaction, and the freedom experienced in an open world.
Credits:
Director: Maxime Luère, Dominique Boidin, Rémi Kozyra
Production Company: Unit Image
Marketing Manager: Delphine Dosset
Production Manager: Sophie Penziki
Creative Director: Julian Gerighty
Software: Autodesk 3ds Max, Mudbox; Adobe Photoshop, After Effects; Chaos Group V-Ray
Hardware:
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RYSE: SON OF ROME
Issue: 182 | Duration: 3:06
“Ryse: Son of Rome” is a stunning action-adventure that follows Marius Titus on a heroic quest to avenge the death of his family, and preserve the honor of Rome, at all costs. Characters and emotion are emphasized to serve the game and story of “Ryse”. An eight hour video game with an additional 110 minutes of linear storytelling content, this submission shows game play and cut scenes, both utilizing the same assets. These clips can be rendered in real-time.
Credits:
Director: Christopher Evans
Production Company: Crytek
Peter Gornstein, Martin L'Heureux, Brian Chambers, Chris Brunning
Software: Crytek CryENGINE, Cinebox; Atuodesk Maya, MotionBuilder, 3ds Max
Hardware: Xbox One; PC; AMD; Intel
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RYSE: SON OF ROME Legend of Damocles (Cinematic)
Issue: 182 | Duration: 2:00
"Legend of Damocles" is the cinematic created by Platige Image for the game "RYSE: Son of Rome" developed by Crytek. This stunning game tells the story of Marius Titus, a young Roman soldier who witnesses the murder of his family, then travels with the Roman army to Britannia to seek revenge.
Credits:
Director: Peter Gornstein, Jakub Jablonski
Production Company: Crytek
Crytek
Producer: Michael Kelleher
Platige Image
Executive Producers: Piotr Sikora, Jaroslaw Wawko, Marcin Kobylecki
Producer: Piotr Prokop
CG Supervisor: Andrzej Sykut, Selim Sykut
Production Coordinator: Monika Paćkowska
Concept Artist: Jakub Jablonski
Layout / Snimation Artists: Bartłomiej Kik, Dominik Wawrzyniak, Michał Kaleniecki, Błażej Andrzejewski, Lukasz Burnet, Tycjan Bartuś
Character Artists: Agnieszka Strzęp, Andrzej Sykut, Marcin Klicki, Szymon Kaszuba
Lead Character TD: Mateusz Popławski
Character TD: Kamil Hepner
Matte Painter: Jakub Jablonski
Simulation Artists: Carlos Acevedo, Piotr Suchodolski, Paweł Wilkos
Additional 3D Artists: Mateusz Gamroth, Michał Gryn, Tomasz Zaborek
Additional Concept Artists: Artur Sadłos, Michał Niewiara, Rafał Wojtunik
Lighting & Rendering Artist: Andrzej Sykut
Compositing Artist: Selim Sykut
Motion Capture Performer: Maciej Kwiatkowski, Tomasz Lewandowski
Software: Autodesk Maya, 3ds Max, Mudbox; Chaos Group V-Ray; NewTek LightWave 3D; Adobe Photoshop, After Effects; Thinkbox Krakatoa; Sitni Sati FumeFX
Hardware: 20x computers with 8 - 24 core processors and 8 - 32GB RAM running Windows XP Professional x64 and Windows 7 Professional x64; 50x computers with 8 - 24 core processors and 8 - 32GB RAM running Windows XP Professional x64, Windows 7 Professional x64 and Linux
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LITTLE FREAK
Issue: 182 | Duration: 3:33
A young deformed boy lives as a side show freak. When his father asks him to make a birthday-wish, he starts to imagine... A metaphor for parental expectations that do not consider their child’s own dreams or ambitions.
Credits:
Director: Edwin Schaap
Production Company: HKU (School of the Arts Utrecht)
Music: Vidjay Beerepoot
Sound Design: Ronnie van Overveld
Cast: Adam Nightingale, Stefan Prince
Software: Autodesk Maya, Mudbox; Adobe After Effects, Photoshop
Hardware: PC workstation
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Chick Embryo Development - 21 Days to Hatching
Issue: 182 | Duration: 2:08
This animation was commissioned by the Poultry Cooperative Research Centre to visualize the details of the 21 day development of a chick embryo within the egg. Emphasis is placed on a number of areas in the national science curriculum, from teaching life cycles to the complexities of comparative embryology.
Credits:
Director: Katie McCormack, Joyce Hui, Eddy Xuan
Production Company: AXS Biomedical Animation Studio, Inc.
Julian Kirk-Elleker, Barbara Brehovsky, Liz Roan
Software: Autodesk Maya; Adobe After Effects, Photoshop, Illustrator
Hardware: Dell Precision T3600
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kinematics
Issue: 182 | Duration: 3:22
This video visualizes “Kinematics” as a system for designing and simulating flexible structures for 3D printing. “Kinematics” generates custom designs composed of 10s to 1000s of hinged, interlocking modules. The designs are computationally folded using rigid body physics into a smaller form for fabrication by a 3D printer.
Credits:
Director: Jessica Rosenkrantz, Jesse Louis-Rosenberg
Production Company: Nervous System
Music: Candlegravity
Software: Nervous System Kinematics; Open Soource Blender; Bullet Physics Library; C++ Library
Hardware:
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BOX
Issue: 182 | Duration: 5:25
Box explores the synthesis of real and digital space through projection mapping on moving surfaces. This short film documents a first ever live synchronized performance using 3D projection mapping, robots and actors.
Credits:
Director: Tarik Abdel-Gawad
Production Company: Bot & Dolly
Production Company: Bot & Dolly
Executive Producers: Bill Galusha, Nick Read
Creative / Technical Director: Tarik Abdel-Gawad
Design Director: Bradley G Munkowitz
Lead Graphic Designers: Bradley G Munkowitz, Jason English Kerr
3D Artists: Scott Pagano, Bradley G Munkowitz, Jason English Kerr, Conor Grebel
2D Animators: Conor Grebel, Ben Hawkins, Pedro Figueira
Director of Photography: Joe Picard
Lighting Designers: Joe Picard, Phil Reyneri
Projection / TouchDesigner: Phil Reyneri
Robotics Animation: Tarik Abdel-Gawad, Brandon Kruysman, George Banks, Michael Beardsworth
Robotics Operator: Michael Beardsworth, Brandon Kruysman
Prop Fabrication: Matt Bitterman, Ethan Dale
Script Supervisor: Ian Colon
Sound Engineers: Joe Picard, Michael Beardsworth
PAs: Sean Servis, Dakota Smith, Nico Mizono, Eric Wendel, Patrick Walsh
Editors: Ashley Rodholm, Ian Colon
Music / Sound Design: Keith Ruggiero
Sound Mix: Joel Raabe
Performers: Tarik Abdel-Gawad, IRIS, SCOUT
Software: Bot & Dolly Move; Autodesk Maya, Motion Builder; Side Effects Houdini; Touch Designer; Adobe Suite; Apple Final Cut; The Foundry Nuke
Hardware: KUKA KR150 (2); KUKA KR6 (1); 4 x 8 ft. Panel (2); Christie Projector (2); DMX Control Lighting
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The Science of Stage Fright
Issue: 182 | Duration: 4:34
Heart racing, palms sweating, labored breathing? No, you're not having a heart attack -- it's stage fright! If public speaking makes you feel like you're fighting for your life, you're not alone. The better you understand your body's reaction, the more likely you are to overcome it. This “TEDEd Lessons Worth Sharing” video addresses these issues.
Credits:
Director: Robertino Zambrano
Production Company: KAPWA Studioworks
Writer / Narrator: Mikael Cho
Animation Studio: KAPWA Studioworks
Design / Animation: Robertino Zambrano
CG Artist: Francis Solinap
Music: Adam Alexander, John Romeo (Bamm Bamm Wolfgang)
Mixer: Adam Alexander
Mastered: Nick Lynar
Thanks: TEDEd: Gerta Xhelo, Jessica Ruby
Software: Adobe After Effects, Photoshop; Autodesk Maya
Hardware: Apple Mac Pro
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ENTRACTE
Issue: 182 | Duration: 5:05
A cleaning lady confined to a monotonous, everyday life, and a mime in need of success will meet through a glass.
Credits:
Director: Valentin Dely, Damien Garrigue, Laury Guintrand, Valentine Hemery, Clélia Magurno
Production Company: ESMA - Ecole supérieure des métiers artistiques
Music: Anthony Touzalin, Olivier Defradat, Clément Osmont
Sound Recording / Mix: José Vicente, Camille Lucchino, Anthony Touzalin, Olivier Defradat, Clément Osmont
Choreography: Chrstiane Marciano
Dancers: Melody Gonzales, Tony Style
Software: Autodesk Maya; Adobe Photoshop, After Effects
Hardware:
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The Final Straw
Issue: 182 | Duration: 2:15
When a scarecrow is awakened by a loud crow, he tries to scare it away with the usual methods. However, this is no ordinary crow, and it does not respond to classic scares. The scarecrow must get creative, and even a little maniacal, to scare this pest away.
Credits:
Director: Riccardo Renna
Production Company: Ringling College of Art + Design
Producer: Riccardo Renna
Faculty Advisor: Ed Gavin
Concept / Animation: Riccardo Renna
Music Composer: Corey Wallace
Audio MIx: Blake Johnson
Video / Audio Support: Alex Previty
Voice Talent: Riccardo Renna
Software: Autodesk Maya; Pixar RenderMan; The Foundry Nuke; Adobe Photoshop
Hardware: HP Z800; NVIDIA Quadro 4000
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MPC World War Z VFX Breakdown
Issue: 182 | Duration: 3:31
More than 450 shots were created by the MPC VFX teamfor “World War Z,”, including the creation of the Zombie hordes in Jerusalem, the plane crash sequence, the Wales Sequence and the Epilogue.
Credits:
Director: Marc Forster
Production Company: Parmount Pictures
VFX Supervisor: Jessica Norman
VFX Producer: Marianne Speight
2D Supervisor: Jonathan Knight
CG Supervisor: Max Wood
Animation Supervisor: Gabriele Zuccheli
VFX Production Manager: Lauren Knowlton-Parry
VFX Production Supervisor: Scott Farrar
Showreel Producer: Jonny Vale
Showreel Editor: Conor Byrne
© 2013 Paramount Pictures. All rights reserved.
Software: Autodesk Maya; Pixologic ZBrush; The Foundry Nuke
Hardware: Linux workstations
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Paper World
Issue: 182 | Duration: 2:39
“Paper World” is a visual metaphor on the level of a micro-world that stand for the values of WWF.
Credits:
Director: David Ringeisen, László Ruska
Production Company: Moholy-Nagy University of Art and Design
Producer: József Fülöp
Tutor: Gabor Rethi
Consultant: Jenu Udvardi
Composer: Balazs Alpar, Attila Pacsay
Sound: Balazs Alpar
Consultant Dramaturge: Rita Domonyi
Consultant Editor: Judit Czako
Production Manager: Krisztina Hollo Leleszi
CG Supervisor: Laszlo Ruska
Character Design: David Ringeisen
Models & Textures: Miklos Erdei, Kamilla Kubisch, David Ringeisen, Laszlo Ruska
Rigging: Szabolcs Szabados
Animation: Zoltan Szalay, Roland Peter Bodis, David Ringeisen
Effects: Csaba Kiss, Gabor Pulai
Lighting: David Svantner
Compositing: Laszlo Ruska, Zsolt Ormandlaky
Rendering: Vertigo Digital Ltd.
Software: Autodesk Maya; Chaos Group V-Ray; Adobe Photoshop; Eyeon Fusion
Hardware:
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Fol'Amor
Issue: 182 | Duration: 2:23
A society lady and a young knight are frolicking in the forest when they come across Excalibur, which leads them to a silly game of seduction.
Credits:
Director: Marthe Delaporte, Maïlys Garcia, Augustin Clermont, Gilles Cortella, Clément De Ruyter, Pierre Rütz, Gaspard Sumeire
Production Company: GOBELINS, l'école de l'image
Software: TVPaint; Adobe After Effects, Photoshop, Premiere; Autodesk Maya
Hardware: PC workstation
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Spotted
Issue: 182 | Duration: 3:25
A fugitive is intercepted by two customs officers as he tries to escape his fate. During a violent interrogation, Big Mike and his sidekick attempt to dismantle his secret network and to put an end to his dreams of liberty...
Credits:
Director: Yoann Bomal, Estelle Chaloupy, Cyrille Chauvin, Sarah Colmet-Daage, Karina Gazizova, Jeanne Sylvette Giraud
Production Company: GOBELINS, l'école de l'image
Software: TVPaint; Adobe After Effects, Photoshop, Premiere; Autodesk Maya
Hardware: PC workstation
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UN CONTE
Issue: 182 | Duration: 2:23
A knight tries to rescue his beauty.
Credits:
Director: Guillaume Arantes
Production Company: GOBELINS, l'école de l'image
Musique/Songs: Johachim Sevenitz, Stanko Madic, Guillaume Arantes
Software: TVPaint; Adobe After Effects, Photoshop, Premiere; Autodesk Maya
Hardware: PC workstation
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SPACEBOUND
Issue: 182 | Duration: 2:48
A young astronaut and his dog embark on one last adventure together.
Credits:
Director: Ellen Su, Kyle Moy
Production Company: School of Visual Arts
Sound Design: Brian Russo
Music: Johan Ericsson Degerlund
Assistant Compositors: Tori Buenger, Diana Kim, Eunju Hyun
Additional Texturing: Hyun Jun Song
Additional Motion Graphics: Mike Vellegas
FX: Diana Kim
Software: The Foundry Nuke; Autodesk Maya; Adobe Photoshop, After Effects
Hardware: HP Computers; Apple Mac Pro
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Runaway
Issue: 182 | Duration: 3:37
“Runaway” is a charming story about a misunderstanding between a man named Stanley and his treasured 1950's refrigerator, named Chillie. A sad event sends Chillie into a whirlwind of emotional turmoil, which causes him to run away.
Credits:
Director: Huen Sin Yung (Susan), Esther Parobek
Production Company: Ringling College of Art + Design
Voice Actor: Karl Hadrika
Composer: Andy Brick
Sound Designer: Mauricio D'orey
Software: Autodesk Maya, Pixar RenderMan; The Foundry Nuke; Adobe Photoshop
Hardware: HP workstations
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BRAIN DIVIDED
Issue: 182 | Duration: 5:00
This is the story about an ordinary boy who meets a not so ordinary girl. Conflict ensues when the boy’s brain is divided on how to win the girl over.
Credits:
Director: Josiah Haworth, Joon Soo Song, Joon Shik Song
Production Company: Ringling College of Art + Design
Music: Corey Wallace
Sound Effects: Mutante Media
Cast:
Jon: Andrew Racho
Scarlet: Kristen Gish, Sara Young
Red + Blue: The Joons
Pink+Purple: Elaine Wu, Christine Kim
Software: Adobe Premiere, Photoshop; The Foundry Nuke X; Autodesk Maya; 3D-Coat
Hardware: HP Z800 workstations
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To: My Number One
Issue: 182 | Duration: 3:36
“To: My Number One” explores the emotions and thought processes associated with love, loss, and grief. What becomes of your identity when your center - your defining ‘other’, is suddenly gone? A girl, named Number Two, reflects on this sentiment as she goes through her every day routine.
Credits:
Director: Patricia Badiola
Production Company: California College of the Arts
Voice-Over: Amaryllis DeJesus Moleski
Animation: Patricia Yssa Badiola, Kelly Kao
Clean-Up: Kelly Kao, Danielle Esmaya, Cathy Duma, Ellen Wang
Sound Design: Ross Carter
Advisors: Andrew Lyndon, Bret Parker
Software: Adobe Flash CS6, Premiere Pro
Hardware: ASUS N53SV; Apple Mac; Wacom Cintiq; Yiynova
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The Ballad of ThunderCluck: Chicken of Thor
Issue: 182 | Duration: 2:50
Half mortal. Half god. All natural chicken. This is the story of Thundercluck, a Viking chicken with the power of thunder.
Credits:
Director: Paul A. Tillery IV
Production Company: Savannah College of Art and Design
Narration: Dandy Barrett
Sound Design: James Hunt
Music Composition: Brandon J. Bush
Musicians: Joe Gransden, Wes Funderburk
Assistant Animators: Chivaun Fitzpatrick, Davonne Dupart, Genesis Henderson, Princy Peuse, Tres Swygert
Software: ToonBoom Animate Pro; Adobe After Effects; Autodesk Maya
Hardware: Wacom Cintiq; PC Workstation
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MYOSIS
Issue: 182 | Duration: 3:13
Myosis is the constriction of the iris, which decreases the diameter of the pupil. It is an unconscious phenomenon which can be triggered by an intense light, fear, or the effect of epiphany.
Credits:
Director: Emmanuel Asquier-Brassart, Ricky Cometa, Guillaume Dousse, Adrien Gromelle, Thibaud Petitpas
Production Company: GOBELINS, l'école de l'image
Software: TVPaint; Adobe After Effects, Photoshop, Premiere; Autodesk Maya
Hardware: PC workstation
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Nashorn Im Galopp (Rhino Full Throttle)
Issue: 182 | Duration: 14:59
Bruno roams the streets of Berlin with his head full of questions, gazing behind the many facades and surfaces. He is seeking the soul of the city - something that others might never notice. He unexpectedly meets an ally.
Credits:
Director: Erik Schmitt
Production Company: Detailfilm Gasmia & Kamm GbR, Fabian Gasmia & Henning Kamm
Script: Erik Schmitt, Stephan Müller
DoP: Johannes Louis
Editor: Erik Schmitt
Sound: Daniel Griese
Music: Nils Frahm
Software:
Hardware:
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MPLS Underground Film Festival Opening Animation
Issue: 182 | Duration: 0:45
Hosted and sponsored by The Film Society of Minneapolis/St. Paul the Minneapolis Underground Film Festival (MUFF) utilizes St. Anthony Main Theatre to showcase independent cinema’s most provocative and original new work. This reel highlights some of the experimental films, screened during the last three years.
Credits:
Director: Cory Bauer
Production Company:
MPLS Underground Film Festival Opening Animation
Software: Apple Final Cut Pro; Adobe Premiere, Flash, After Effects
Hardware: Apple Mac
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linden & vine
Issue: 182 | Duration: 1:50
Hosted and sponsored by The Film Society of Minneapolis/St. Paul the Minneapolis Underground Film Festival (MUFF) utilizes St. Anthony Main Theatre to showcase independent cinema’s most provocative and original new work. This reel highlights some of the experimental films, screened during the last three years.
Credits:
Director: Eric Spivey
Production Company:
“linden & vine”: Eric Spivey
Software: Apple Final Cut Pro; Adobe Premiere, Flash, After Effects
Hardware: Apple Mac
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SFW XXX
Issue: 182 | Duration: 1:15
Hosted and sponsored by The Film Society of Minneapolis/St. Paul the Minneapolis Underground Film Festival (MUFF) utilizes St. Anthony Main Theatre to showcase independent cinema’s most provocative and original new work. This reel highlights some of the experimental films, screened during the last three years.
Credits:
Director: Keith Schofield
Production Company:
“SFW XXX”: Keith Schofield
Software: Apple Final Cut Pro; Adobe Premiere, Flash, After Effects
Hardware: Apple Mac
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COURT MÉTRAGE - EPOCH
Issue: 182 | Duration: 2:50
Hosted and sponsored by The Film Society of Minneapolis/St. Paul the Minneapolis Underground Film Festival (MUFF) utilizes St. Anthony Main Theatre to showcase independent cinema’s most provocative and original new work. This reel highlights some of the experimental films, screened during the last three years.
Credits:
Director: Anthony Scott Burns
Production Company:
“COURT MÉTRAGE - EPOCH”: Anthony Scott Burns
Software: Apple Final Cut Pro; Adobe Premiere, Flash, After Effects
Hardware: Apple Mac
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PHANTOM! This Monster
Issue: 182 | Duration: 2:16
Hosted and sponsored by The Film Society of Minneapolis/St. Paul the Minneapolis Underground Film Festival (MUFF) utilizes St. Anthony Main Theatre to showcase independent cinema’s most provocative and original new work. This reel highlights some of the experimental films, screened during the last three years.
Credits:
Director: Maria Juranic
Production Company:
“PHANTOM! This Monster”: Maria Juranic
Software: Apple Final Cut Pro; Adobe Premiere, Flash, After Effects
Hardware: Apple Mac
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zodiac shit
Issue: 182 | Duration: 1:41
Hosted and sponsored by The Film Society of Minneapolis/St. Paul the Minneapolis Underground Film Festival (MUFF) utilizes St. Anthony Main Theatre to showcase independent cinema’s most provocative and original new work. This reel highlights some of the experimental films, screened during the last three years.
Credits:
Director: Angus Ware
Production Company:
“zodiac shit”: Angus Ware
Software: Apple Final Cut Pro; Adobe Premiere, Flash, After Effects
Hardware: Apple Mac
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Bestiario
Issue: 182 | Duration: 1:17
Hosted and sponsored by The Film Society of Minneapolis/St. Paul the Minneapolis Underground Film Festival (MUFF) utilizes St. Anthony Main Theatre to showcase independent cinema’s most provocative and original new work. This reel highlights some of the experimental films, screened during the last three years.
Credits:
Director: Sumie Garcia
Production Company:
“Bestiario”: Sumie Garcia
Software: Apple Final Cut Pro; Adobe Premiere, Flash, After Effects
Hardware: Apple Mac
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I Am Your Grandma
Issue: 182 | Duration: 1:02
Hosted and sponsored by The Film Society of Minneapolis/St. Paul the Minneapolis Underground Film Festival (MUFF) utilizes St. Anthony Main Theatre to showcase independent cinema’s most provocative and original new work. This reel highlights some of the experimental films, screened during the last three years.
Credits:
Director: Jillian Mayer
Production Company:
“I Am Your Grandma”: Jillian Mayer
Software: Apple Final Cut Pro; Adobe Premiere, Flash, After Effects
Hardware: Apple Mac
videos/thumbs/182_25_CAF_0567_08.jpg
videos/previews/182_25_CAF_0567_08.jpg
videos/182_25_CAF_0567_08.mp4
MPLS Underground Film Festival Closing Animation
Issue: 182 | Duration: 0:29
Hosted and sponsored by The Film Society of Minneapolis/St. Paul the Minneapolis Underground Film Festival (MUFF) utilizes St. Anthony Main Theatre to showcase independent cinema’s most provocative and original new work. This reel highlights some of the experimental films, screened during the last three years.
Credits:
Director: Cory Bauer
Production Company:
MPLS Underground Film Festival Closing Animation
Software: Apple Final Cut Pro; Adobe Premiere, Flash, After Effects
Hardware: Apple Mac
videos/thumbs/182_25_CAF_0567_09.jpg
videos/previews/182_25_CAF_0567_09.jpg
videos/182_25_CAF_0567_09.mp4
A Walk in the Woods
Issue: 182 | Duration: 1:01
A showcase of short animated films and music videos by members of S.E.A.T. (Seattle Experimental Animation Team), ranging from commercial, personal, and playful works completed in the past year.
Credits:
Director: Tess Martin
Production Company: S.E.A.T.
“A Walk in the Woods”: Tess Martin
Software: Adobe After Effects, Photoshop; DZED Dragonframe Stop Motion; Open Source Blender
Hardware: Mac and PC
videos/thumbs/182_26_CAF_0570_01.jpg
videos/previews/182_26_CAF_0570_01.jpg
videos/182_26_CAF_0570_01.mp4
EMERALDS AND ANGELS
Issue: 182 | Duration: 4:16
A showcase of short animated films and music videos by members of S.E.A.T. (Seattle Experimental Animation Team), ranging from commercial, personal, and playful works completed in the past year.
Credits:
Director: Devin Ensz
Production Company: S.E.A.T.
“EMERALDS AND ANGELS”: Devin Ensz
Software: Adobe After Effects, Photoshop; DZED Dragonframe Stop Motion; Open Source Blender
Hardware: Mac and PC
videos/thumbs/182_26_CAF_0570_02.jpg
videos/previews/182_26_CAF_0570_02.jpg
videos/182_26_CAF_0570_02.mp4
Hula Hoop
Issue: 182 | Duration: 1:33
A showcase of short animated films and music videos by members of S.E.A.T. (Seattle Experimental Animation Team), ranging from commercial, personal, and playful works completed in the past year.
Credits:
Director: Tess Martin
Production Company: S.E.A.T.
“Hula Hoop”: Tess Martin
Software: Adobe After Effects, Photoshop; DZED Dragonframe Stop Motion; Open Source Blender
Hardware: Mac and PC
videos/thumbs/182_26_CAF_0570_03.jpg
videos/previews/182_26_CAF_0570_03.jpg
videos/182_26_CAF_0570_03.mp4
Señor Wooly
Issue: 182 | Duration: 2:36
A showcase of short animated films and music videos by members of S.E.A.T. (Seattle Experimental Animation Team), ranging from commercial, personal, and playful works completed in the past year.
Credits:
Director: Bob and Bob Productions
Production Company: S.E.A.T.
“Señor Wooly”: Bob and Bob Productions
Software: Adobe After Effects, Photoshop; DZED Dragonframe Stop Motion; Open Source Blender
Hardware: Mac and PC
videos/thumbs/182_26_CAF_0570_04.jpg
videos/previews/182_26_CAF_0570_04.jpg
videos/182_26_CAF_0570_04.mp4
play ground
Issue: 182 | Duration: 1:41
A showcase of short animated films and music videos by members of S.E.A.T. (Seattle Experimental Animation Team), ranging from commercial, personal, and playful works completed in the past year.
Credits:
Director: Stewart McCullough
Production Company: S.E.A.T.
“play ground”: Stewart McCullough
Software: Adobe After Effects, Photoshop; DZED Dragonframe Stop Motion; Open Source Blender
Hardware: Mac and PC
videos/thumbs/182_26_CAF_0570_05.jpg
videos/previews/182_26_CAF_0570_05.jpg
videos/182_26_CAF_0570_05.mp4
Your Heart Breaks
Issue: 182 | Duration: 3:50
A showcase of short animated films and music videos by members of S.E.A.T. (Seattle Experimental Animation Team), ranging from commercial, personal, and playful works completed in the past year.
Credits:
Director: Clyde Petersen
Production Company: S.E.A.T.
“Your Heart Breaks”: Clyde Petersen
Software: Adobe After Effects, Photoshop; DZED Dragonframe Stop Motion; Open Source Blender
Hardware: Mac and PC
videos/thumbs/182_26_CAF_0570_06.jpg
videos/previews/182_26_CAF_0570_06.jpg
videos/182_26_CAF_0570_06.mp4
One Night in Florida
Issue: 182 | Duration: 1:08
A showcase of short animated films and music videos by members of S.E.A.T. (Seattle Experimental Animation Team), ranging from commercial, personal, and playful works completed in the past year.
Credits:
Director: Tess Martin
Production Company: S.E.A.T.
“One Night in Florida”: Tess Martin
Software: Adobe After Effects, Photoshop; DZED Dragonframe Stop Motion; Open Source Blender
Hardware: Mac and PC
videos/thumbs/182_26_CAF_0570_07.jpg
videos/previews/182_26_CAF_0570_07.jpg
videos/182_26_CAF_0570_07.mp4